nicolae iorga opere
 George Călinescu referred to this series as Iorga's "interesting" and "eminently subjective" literature; "dignified" and dominated by "explosions of sentiment", it echoes, according to Călinescu, the Renaissance model of Ion Neculce.  Iorga wrote with noted warmth about Contemporanul and its cultural agenda, but concluded that Poporanists represented merely "the left-wing current of the National Liberal Party".  Another one of his influential (but disputed) claims attributed the appearance of pre-modern slavery, mainly affecting the Romani (Gypsy) minority, exclusively on alien customs borrowed from the Mongol Empire. În acest context, Iorga a sprijinit regimul monarhic autoritar al regelui, instaurat prin Constituţia din 27 februarie 1938 .  Lovinescu also ridiculed Iorga's traditionalist mentoring, calling him a "pontiff of indecency and insult", an enemy of "democratic freedom", and the patron of forgettable "literature about hajduks". «Nici un dar. Nastasă (2007), pp.  The realignment came with contradictory statements on Iorga's part, such as when, in 1939, he publicly described Carol's Hohenzollern-Sigmaringen house as having usurped the throne of Domnitor Alexander John I, statements which enraged monarchist writer Gala Galaction.  He published several new books in 1899: Manuscrise din biblioteci străine ("Manuscripts from Foreign Libraries", 2 vols. , Political themes were again reflected in Nicolae Iorga's 1915 report to the Academy (Dreptul la viață al statelor mici, "The Small States' Right to Exist") and in various of the 37 books he published that year: Istoria românilor din Ardeal și Ungaria ("The History of the Romanians in Transylvania and Hungary"), Politica austriacă față de Serbia ("The Austrian Policy on Serbia") etc. 55–56, 69, 166–167; Volovici, pp.  Iorga also increased his personal fortune, constructing villas in two resort towns: in Sinaia (designer: Toma T. Socolescu) and, later, Mangalia. Opere principale: Acte şi fragmente cu privire la istoria românilor, 3 vol.  During those months, Iorga also helped discover novelist Mihail Sadoveanu, who was for a while the leading figure of Sămănătorist literature. 61–62, 66, 74–75, Iova, p .xxxi.  His work in documenting Romania's historical past could reach an unprecedented intensity, one such exceptional moment being a 1903 study trip to Târgu Jiu, a three-day interval during which he copied and summarized 320 individual documents, covering the period 1501–1833. I, cap.  According to academic Francesco Guida, Iorga's political and scholarly activities displayed a "great openness towards the outside world", even as, in 1930s France, public opinion was turning against him.  His contribution for that year included a number of brochures dedicated to maintaining morale among soldiers and civilians: Războiul actual și urmările lui în viața morală a omenirii ("The Current War and Its Effects on the Moral Life of Mankind"), Rolul inițiativei private în viața publică ("The Role of Private Initiative in Public Life"), Sfaturi și învățături pentru ostașii României ("Advices and Teachings for Romania's Soldiers") etc. Étude historique et littéraire ("Thomas, Margrave of Saluzzo. , Iorga himself refused to attend the trial; in letters he addressed to the judges, he asked the count of libel to be withdrawn, and advised that Codreanu should follow the insanity defense on the other accusations. Early on, Maiorescu would respond to his letters with disdain, while novelist Ioan Slavici called his irredentist projects "nonsense".  Also in 1915, Iorga completed his economic history treatise, Istoria comerțului la români ("The History of Commerce among the Romanians"), as well as a volume on literary history and Romanian philosophy, Faze sufletești și cărți reprezentative la români ("Spiritual Phases and Relevant Books of the Romanians"). Concentrating his efforts on the city archives of Bistrița, Brașov and Sibiu, he made a major breakthrough by establishing that Stolnic Cantacuzino, a 17th-century man of letters and political intriguer, was the real author of an unsigned Wallachian chronicle that had for long been used as a historical source.  Once liberated from government restriction in 1909, his Vălenii school grew into a hub of student activity, self-financed through the sale of postcards. 99–100, 163. His support for the cause of ethnic Romanians in Austria-Hungary made him a prominent figure in the pro-Entente camp by the time of World War I, and ensured him a special political role during the interwar existence of Greater Romania.  His new project was a cultural version of the Polish–Romanian Alliance, working together with poet-diplomat Aron Cotruș to increase awareness of his country, and publishing his own work in the Polish press. PND reprezenta interesele unei părţi ale intelectualităţii cu convingeri democratice, precum şi a unor categorii ale micii burghezii rurale şi urbane. 143, 181. It depicted an imaginary encounter and clash between the historian (Valentin Teodosiu) and a character based on Horia Sima (Dragoș Pâslaru). His working paper, on Thomas III of Saluzzo, was not received, because Iorga had not spent three years in training, as required. xxxvi-–xxxvii; Nastasă (2003), pp.  That year, he also set up the Casa Romena institute in Venice. 250, 271, Deletant, pp. Sub pretextul românizării economiei naţionale, legionarii au procedat la naţionalizarea unor fabrici. , Iorga, who reissued Neamul Românesc in Iași, resumed his activity at Iași University and began working on the war propaganda daily România, while contributing to R.W. See also Călinescu, p. 1010, Ornea (1995), pp. Nicolae Iorga (n. 5 iunie 1871, Botoşani - d. 27 noiembrie 1940, Strejnic, judeţul Prahova), istoric, profesor universitar, enciclopedist, poet, dramaturg, critic literar, memorialist, gazetar, publicist, om politic, membru titular al Academiei Române. 154, 233–234; (2007), pp. He described the "Byzantine man" as embodying the blend of several cultural universes: Greco-Roman, Levantine and Eastern Christian.  Her other brother was cultural historian Gheorghe Bogdan-Duică, whose son, painter Catul Bogdan, Iorga would help achieve recognition. From Marxist beginnings, he switched sides and became a maverick disciple of the Junimea movement. , Iorga only returned to Bucharest as Romania resumed its contacts with the Allies and the Deutsches Heer left the country. " His celebrated return also included the premiere of Învierea lui Ștefan cel Mare at the National Theater, which continued to host productions of his dramatic texts on a regular basis, until ca. , The major issue facing Iorga was the economic crisis, part of the Great Depression, and he was largely unsuccessful in tackling it. , The interval witnessed Iorga's brief affiliation with Junimea, a literary club with conservative leanings, whose informal leader was literary and political theorist Titu Maiorescu.  Other authors are more reserved about Iorga's value for this field: noting that Negoițescu's verdict is an isolated opinion, Simuț considers the plays' rhetorical monologues "hardly bearable". See also Tanașoca, pp. 115, 117–122; Ornea (1995), pp.  He and his disciples were circulating the term politicianism ("politicking"), expressing their disappointment for the new political context. Autoturismul cu care a fost transportat avea numărul de înmatriculare 6211 B.R., iar din verificările efectuate de poliţie a rezultat că era proprietatea Institutului Naţional al Cooperaţiei . (Gotha, 1908-1913); Histoire des Etats balkaniques (Paris, 1925); Essai de synthèse de l'histoire de l'humanité, 4 vol.  Celebrated Romanian satirist and Viața Românească affiliate Păstorel Teodoreanu was engaged in a lengthy polemic with Iorga, enshrining Iorga in Romanian humor as a person with little literary skill and an oversized ego, and making him the subject of an entire collection of poems and articles, Strofe cu pelin de mai pentru Iorga Neculai ("Stanzas in May Wormwood for Iorga Neculai"). , Making his comeback to Romania in October 1894, Iorga settled in the capital city of Bucharest. 164–165; Tanașoca, pp.  Some of his Anglophile essays were printed by Mihail Fărcășanu in Rumanian Quarterly, which sought to preserve Anglo–Romanian cooperation. , On his way to a pan-European congress, Iorga stirred further controversy by attending, in Rome, the tenth anniversary of the 1922 March, celebrating Italian Fascism. Iorga's home in Vălenii de Munte was among the property items left behind and seized by the occupiers, and, according to Iorga's own claim, was vandalized by the Deutsches Heer.  He was kidnapped by a Guardist squad, the best-known member of which was agricultural engineer Traian Boeru, on the afternoon of 27 November, and killed in the vicinity of Strejnic (some distance from the city of Ploiești).
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